If you read scripts by other writers, you will often find the same flaws that industry readers find. One of the shortcomings is flat dialogue. Boring dialogue is one of a script's elements that will stop a reader. He'll put down the script, possibly never to pick it up again.
Two exercises of writing in character voice can help you get in contact with the speech rhythms and vocabulary of a character.
A couple of interesting ideas! I'm definitely going to try them.
Discussion
No comments yet.